(New song links added. Song difficulties added.)
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* [[All the Pretty Ponies]] - lullaby remembering extinct horses, very easy.
* [[All the Pretty Ponies]] - lullaby remembering extinct horses, very easy.


===Further examples===
===Further songs===


====Songs from Terunael====
====Songs from Terunael====
* [[By Chance It Was]] - A love song
* [[By Chance It Was]] - A love song, easy.


====Songs about the fall of Terunael====
====Songs about the fall of Terunael====
* [[A Sudden Farewell]] - A song about the last moments together of Navarr and Thorn.
* [[A Sudden Farewell]] - A duet about the last moments together of Navarr and Thorn, medium.
* [[Brocéliande Be Stronger Now‎]] - Powerful song about Brocéliande, medium with difficult lead vocal.
* [[I Come and Stand at Every Door]] - sad song about the fall of Navarr cities, easy.
* [[I Come and Stand at Every Door]] - sad song about the fall of Navarr cities, easy.
* [[On the Wall]] - Song about the final fight for Brocéliande
* [[On the Wall]] - Song about the final fight for Brocéliande, medium.
* [[Terunael (song)|Terunael]] - A remembrance song.
* [[Terunael (song)|Terunael]] - A remembrance song.


====Songs on Travelling====
====Songs on Travelling====
* [[Heart of the Song]] - A song of respite. Associated with the Brackensong Steading.
* [[Down in the Rugged Glen]] - Joyful song of travelling, easy.
* [[Heart of the Song]] - A song of respite. Associated with the Brackensong Steading, medium.
* [[Miaren (song)|Miaren]] - Wistful song on the competing desires to travel and to return home, Hard.
* [[Ten Thousand Miles]] - song of love/travelling, medium.
* [[Ten Thousand Miles]] - song of love/travelling, medium.


====Battle Music====
====Battle Music====
* [[Navarr Running Song]] - A war cadence.
* [[Navarr Running Song]] - A war cadence, easy
* [[Thorn Battle Cadence‎]] - A war cadence, easy
* [[Windblow, home]] - A call to arms.
* [[Windblow, home]] - A call to arms.


====Festival Music====
====Festival Music====
* [[It Is Not Yet Day]] - A celebratory song.
* [[It Is Not Yet Day]] - A celebratory song, medium.
* [[Navarr (song)|Navarr]] - An old song about the Navarri - traditionally used at the start of dances.
* [[Navarr (song)|Navarr]] - An old song about the Navarri - traditionally used at the start of dances, medium.
* [[Striding One ]] - An invitation to dance.
* [[Striding One ]] - An invitation to dance. easy.


====Cautionary, Teaching & Work Songs====
====Cautionary, Teaching & Work Songs====
* [[Caution for the Dawnish Youth]] - Cautionary song popular for expressing the Navarr World view
* [[Caution for the Dawnish Youth]] - Cautionary song popular for expressing the Navarr World view, easy
* [[Outside in the Distance]] - A Sentry's song.
* [[Outside in the Distance]] - A Sentry's song, medium.
* [[The Oak (song)|The Oak]] - Song about sensible use of trees.
* [[The Oak (song)|The Oak]] - Song about sensible use of trees, easy.
* [[Through the dark places]] - A song about the Navarri involvement in forming the Empire
* [[Through the dark places]] - A song about the Navarri involvement in forming the Empire


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* [[All the Pretty Ponies]] - Lullaby remembering extinct horses, very easy.
* [[All the Pretty Ponies]] - Lullaby remembering extinct horses, very easy.
* [[Bold Navarr Men]] - A song about a failed sortie.  
* [[Bold Navarr Men]] - A song about a failed sortie.  
* [[Redhound]] - A song about a Navarri hero, hard.
* [[The Wind That Shakes The Barley]] - A song of mourning.
* [[The Wind That Shakes The Barley]] - A song of mourning.





Revision as of 11:18, 25 April 2014

The Music of Navarr

Style summary

Navarr music reflects a dichotomy of wistful remembrance for their old culture and the practicalities of survival in the wild. Recent music has a practicality underlying it. Loud and high calling noises appear throughout the music in order to develop vocal chords for the relay of messages, cries of warning and the roar of a fear enducing charge from hiding. Drumming is widely used for similar reasons. The sounds, in contrast to the melodic music of old culture, are often harsh which reflects the Navarr attitude towards nature - not one of harmony but of dominance. Much of the music of their lost cities has changed over time to include primal sounds, for example, fast fiddle and pipes or soft unison singing is joined by loud calling and percussion. Lyrics reflect the dichotomy of the memory of lost cities and the practicalities of life in the wild. References to nature are common but are dark and evocative rather than romantic. Work songs and cautionary tales are common as are the themes of travelling, fate, forests, and blood. Songs of the old culture; lost cities and sacrifice concentrate on remembrance rather than lamentation.

To achieve this sound look at music that fuses Celtic folk styles with African and South American tribal sounds. Music can draw on Scottish, Irish, Greek, Galician, and Basque/French folk tunes as well Tolkienesque fantasy for lyrics, with added African-style percussion, Amazonian and Amazigh music, to fuse with the sounds of the old culture.

Commonly known songs

A musical tradition

Music has a practical use in Navarr society. Music plays a prominent part to create social harmony and to invoke the powers from beyond. It is used for work songs and for teaching.

Social rituals are often performed to music, such as courtship rituals where a male lead, supported by a male chorus, makes his case, and the female lead, supported by a female chorus, questions him.

Blood Rituals often rely on percussion support to evoke the feel of the pumping heart and helps focus the arts of the Vates.

One for the kids

Further songs

Songs from Terunael

Songs about the fall of Terunael

Songs on Travelling

Battle Music

Festival Music

  • It Is Not Yet Day - A celebratory song, medium.
  • Navarr - An old song about the Navarri - traditionally used at the start of dances, medium.
  • Striding One - An invitation to dance. easy.

Cautionary, Teaching & Work Songs

More Songs


Instrumentation and tunes

Strings, whistles, chanters, djembes, bodhráns and voices. Pretty much any instrument works well in Navarr.

Other performance traditions

How to adapt your repertoire

  • Western Folk tradition - Stick to folk songs from the folk traditions mentioned as sources or that have a primal sound. Dirty them up by simplifying arrangements and then add tribal sounds. This will lend the sense that the old culture has been a little forgotten over time and will give added poignancy to the occasional song performed with a pure 'Celtic' sound. Maybe keep one or two songs unchanged and perform them unaccompanied as a powerful reminder of the old culture.
  • Non-western traditions - Move songs into English. Try to lean melodies towards a more 'Celtic' sound.
  • Try to avoid frenzied drumming circles - the Navarr are an urban culture turned traveller, but wants to return to city life – and try to avoid the ceilidh vibe. Jigs and waltzes don't match the feel of primal otherworldliness.

Our sources

  • Modern Gaelic artists; Modern Welsh Language Artists such as Fern Hill; World Fusion such as Afrocelt Sound System (although less electronic) and Baka Beyond; Scottish-influenced Canadian songs and tunes e.g. Ashley MacIsaac, Great Big Sea (although less poppy), the instrumental stuff by Shooglenifty e.g. Arms Dealer's Daughter (CD), Michael McGoldrick (e.g. Wired), Irish folk, Greek folk tunes and dances. modern pipers e.g. Finlay MacDonald,
  • Travel-themed songs and poems by Tolkien could provide inspiration e.g. http://allpoetry.com/poem/8500011-I_Sit_And_Think-by-J_R_R_Tolkien and the Misty Mountain song is spot on for the Navarr sound.

Here is a youtube playlist of appropriate or inspiring music.