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[[Category:Senate Motion]][[Category:381YE Spring]]
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<ic>That the Senate grant permission to build a great works in Tassato dedicated to Pride, taking advantage of the recent surge in Pride and the arts.
<ic>That the Senate grant permission to build a great works in Tassato dedicated to Pride, taking advantage of the recent surge in Pride and the arts.
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===Campaign Outcome===
===Campaign Outcome===
* The great work, once completed, will provide 15 [[liao]] and 30 votes in the Imperial Synod spread amongst those citizens of [[Tassato]] dedicated to [[Pride]] who own [[congregation|congregations]] each season, following attendance at the Anvil Summit
* The great work, the [[Tassato#The_Blood_Red_River_Museum|Blood Red River Museum]], provides 15 [[liao]] and 30 votes in the Imperial Synod spread amongst those citizens of [[Tassato]] dedicated to [[Pride]] who own [[congregation|congregations]] each season, following attendance at the Anvil Summit


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The Blood Red River Museum of Tassato
The Blood Red River Museum of Tassato
The Blood Red River Museum was commissioned by Cesare Sanguineo Rezia di Tassato and approved by the Imperial Senate in Spring 381YE, in the wake of a powerful surge of interest in the arts.   
The Blood Red River Museum was commissioned by Cesare Sanguineo Rezia di Tassato and approved by the Imperial Senate in Spring 381YE, in the wake of a powerful surge of interest in the arts.   
Paid for by The Bloody Butchers Guild of Temeschwar, it stands grandly in Tassato Regario on the eastern bank of the Vassa, dwarfing the Printers Guild Museum which squats directly opposite on the western bank of crowded Tassato Mestra.  Locals proudly call it "The Bloody Great Museum" to distinguish it from "the pesky printers museum" which, although an impressive building in its own right, is but a quarter the size crammed into a cramped plot between brothels.   
Paid for by The Bloody Butchers Guild of Temeschwar, it stands grandly in Tassato Mestra on the western bank of the Vassa, completely overshadowing the Printers Guild Museum which squats nearby.  Locals proudly call it "The Bloody Great Museum" to distinguish it from "the pesky printers museum" which, although an impressive building in its own right, is but a quarter the size crammed into a cramped plot between brothels.   
The magnificent shining White Granite and red brick exterior of the Blood Red River Museum perfectly complements the Blood Red Road which leads awed visitors right up to its elaborate portico.  Inside, the museum is fabulously adorned with white and gold gilded rococo together with sumptuous red and black velvet drapes in truly over-the-top Tassatan style - whether this is tasteful elegance or tasteless bling is a constant source of argument between those brought up in Tassato and everyone else.
The magnificent shining White Granite and red brick exterior of the Blood Red River Museum perfectly complements the Blood Red Road which leads awed visitors right up to its elaborate portico.  Inside, the museum is fabulously adorned with white and gold gilded rococo together with sumptuous red and black velvet drapes in truly over-the-top Tassatan style - whether this is tasteful elegance or tasteless bling is a constant source of argument between those brought up in Tassato and everyone else.
The immense entrance hall boasts an impressive series of four historical friezes on the walls surrounding models of modern Great Works which are designed to inspire visitors with Pride.  The first frieze recalls the original unification of Tassato Regario with Tassato Mestra by Anabella di Regario; the second celebrates the foundation of The Empire with scenes from the 'First Feast' which The First Butcher hosted for The First Empress and the leaders of the League when the Empire was founded; the third marks the foundation of the Imperial Mint by Emperor Giovanni (although the artists have played loose with history by showing him conversing with the museum's benefactor, Lorenzo 'La Volpe', who was briefly Master of the Mint in modern times); the fourth commemorates the coronation of Imperatrix Lisabetta, with a particular emphasis on Senator Cesare's part in organising the subsequent celebrations.   
The immense entrance hall boasts an impressive series of four historical friezes on the walls surrounding models of modern Great Works which are designed to inspire visitors with Pride.  The first frieze recalls the original unification of Tassato Regario with Tassato Mestra by Anabella di Regario; the second celebrates the foundation of The Empire with scenes from the 'First Feast' which The First Butcher hosted for The First Empress and the leaders of the League when the Empire was founded; the third marks the foundation of the Imperial Mint by Emperor Giovanni (although the artists have played loose with history by showing him conversing with the museum's benefactor, Lorenzo 'La Volpe', who was briefly Master of the Mint in modern times); the fourth commemorates the coronation of Imperatrix Lisabetta, with a particular emphasis on Senator Cesare's part in organising the subsequent celebrations.   
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 Lorenzo ‘La Volpe’ von Temeschwar
 Lorenzo ‘La Volpe’ von Temeschwar
 Spring 380YE
 Spring 380YE
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[[Category: Senate Motion]]

Latest revision as of 21:34, 31 January 2022


That the Senate grant permission to build a great works in Tassato dedicated to Pride, taking advantage of the recent surge in Pride and the arts.


Proposed by Tassato, Seconded by Astolat

Overview

Date

  • Spring 381YE

Cost

  • 15 wains of white granite
  • 5 wains of weirwood
  • 5 thrones in labour costs
  • 3 months to construct

Progress

  • 15 wains of white granite, 5 wains of weirwood, and 5 thrones provided by Lorenzo “La Volpe” Macelliao von Temeschwar after Spring Equinox 381YE.

Campaign Outcome