Dawn costumes

Look and Feel

Clothing in Dawn draws inspiration from the clothing of 12th-15th Century England and France, Pre-raphaelite artists such as Edmund Blair Leighton, Dante Gabriel Rosetti and John William Waterhouse, and fantasies such as Lord of the Rings, Merlin and Game of Thrones. On the battlefield, the Dawnish are a pageant of glittering armour, blazing heraldry and exquisite banners; at peace, they wear elegant and well cut tunics, houpellandes and surcotes. Women may also choose to wear gowns, usually with a long, smooth silhouette, full skirts and either tight sleeves to the wrist, or flowing trumpet sleeves that fall in folds from the elbow.

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Fabrics

A guide to fabrics for kitmaking

Dawn is a country where you can really go wild with your fabrics and indulge yourself. For high status characters, rich wools, intensely coloured silks, fine linens and velvets are all a wonderful choice. Don't automatically assume that they're more expensive - like every fabric, there's a range, and if you shop carefully you can pick up some superb bargains. Ebay is always good. Try to stick to natural fabrics or natural/synethetic blends - pure synthetics are uncomfortable and wear badly, with very few exceptions.

Historically people tended to wear body linens - a soft white linen shift or shirt against their skin. This is a good idea not only because it's comfortable, but also because it protects your outer garments from sweat and stains. If you'd prefer not to use linen for reasons of expense or weight, a soft cotton muslin works beautifully for this. For outer garments, try fine wools, brocades, velvets and silks; for cloaks, cotton velvet and wool melton are ideal.

Similar nations

The Marches and Wintermark Historically Dawn and the Marches were the same country, so it should come as no surprise that there are significant similarities in the costume. Both draw their inspiration from early medieval northern europe, so the bulk of the difference is in the materials used. The marches tend towards a palette of natural colours in wools and linens, less lavish designs and simpler construction. The Dawnish, by contrast, favour bright, heraldic colours, contrasting trims and fabrics and more flowing garments using more material. Accessories play a big part in making an outfit look Dawnish - a colourful long belt, a jewelled dagger sheath, an ornate leather purse or a crown can all make relatively simple and understated costume look regal.

The Wintermark shares some basic similiarities in terms of garments and cut with Dawn, but it should be even less bright and less lavish than that Marches. Some very high status Steinr might wear something to the Senate that a Dawnish yeoman would wear in the fields - if you have a beautiful, simple tunic in drab colours, try accessorising it with a good belt, fine jewellery or a hood or mantle in a contrasting colour and suddenly it will look a lot more Dawnish.

Research

Historical/cultural inspiration (and how the nation differs/adheres to it), films, books, tv, google search terms

Google image search for burgundian gowns

In detail

Get the look

Fantasy and "historically inspired" gowns

The blue dressmade of two contrasting fabrics - a gold brocade and a blue fabric which you could replicate with a richly coloured fine wool, silk or linen. Use Simplicity Pattern 4940 (http://www.simplicity.com/p-2201-costumes.aspx) view C (without the corselet/vest), and cut your centre front piece and lower sleeves out of the brocade to contrast with the blue. The pattern will give you a slightly thicker band of brocade at the neck, which you could easily trim down, and will sit on your shoulders rather than off (which is much more practical for active wearing). I'd suggest replacing the zip down the back with lacing - it's just as easy and lacing never jams or breaks in a field.

Add some dangly earrings and a crown and you're set.

You could use Butterick 4377 for the cream dress from Braveheart and the blue cloak (http://butterick.mccall.com/b4377-products-5145.php?page_id=385) To replicate the soft, lush look of the dress, you could choose a soft silk velvet or, if you chose carefully, a synthetic stretch velvet, but please choose a good one with a nice thick pile! If you use a good heavy stretch velvet, you could omit the lacing down the back and just wear it as a pullover dress. For a different look you could use silk, lightweight wool or linen - just choose a lush, rich colour. For the neckline, you could cut a piece of brocade to match the curve of your neckline and carefully sew it on by hand, or you could get some fancy trim or ribbon. For the belt, try looking for a charity shop chain link belt, or make one out of a strip of silk and an old buckle, or use some fancy trim. eBay is a great source of trim - for some really splendid beaded trim at very reasonable prices I use this eBay shop - http://stores.ebay.co.uk/Heritage-Trading/Sewing-Trims-/_i.html?_fsub=2&_sid=47896792&_trksid=p4634.c0.m322 . About 2m would do a great jewelled belt, they also sell shaped pieces designed to go on the necklines of dresses. For the cloak trim, the same ebay shop is good, or you could try searching for damask trim or brocade trim.

Breakdown of each garment worn, typical layers and fabrics for each

links to patterns, shops, traders etc.

Good substitutions for each garment

Specifics

dumped in from the Marcher brief

The Bliaut is a similar dress, the main difference between this and the kirtle is the wide flowing sleeves and the very tight fit, achieved through lacing on both sides of the dress.

Bliaut

• Drafting instructions for a Bliaut

The other style of dress worn in Dawn is an unfitted robe, gathered in at the waist by a belt. This started life as the Houppelande, a large, robe like garment worn by men and women. Women belted this high under the bust and, over time, the burgundian gown evolved from this, with a similar shape but a deep v-neck. These dresses are far less revealing as the fit is looser than the kirtle and similar dresses, and the belt helps to define the waist. The large amount of fabric used in this style of dress makes it better for wealthier characters.

Houppelande

• Period Patterns 26
• How to draft a Houppelande pattern
• Houppelande drafting
• More drafting instructions

Burgundian gowns

• Simplicity 9058
• Reconstructing History 007
• Houppelande and Burgundian drafting instructions

Something that can be worn over the tunic or doublet, or on its own is the men's Houppelande, also called a Gown. This is a robe like garment that is cut very wide, and can be belted at the waist or worn loose. There are a lot of variations of the gown, as it was popular for most of the medieval period and changed throughout the era. The sleeves can be very large in the middle, but narrow at the shoulder and cuff (called bagged sleeves), narrow all the way down or wide and flowing. For higher status gowns, the sleeves can be split from cuff to shoulder and allowed to hang freely, leaving the arms free. The length varies from on the hip, to floor length.

Houppelande

• Period Patterns 26
• Simplicity 5925
• Reconstructing History 005

Costuming high, middle and low status character

Men/Women/children in each category?

What you can achieve at different price brackets? (thinking of doing something along the lines of the Odyssey £30 kit challenge maybe Daisy and Jude!)

Hats and outerwear

http://www.kats-hats.co.uk/index.shtml http://www.virtue.to/articles/reticulated.html

Bibliography

Both an online “would you like to know more!” and a guide to the amazing books you can get on amazon.

Nation specific garment

Possibly – if we can think of something suitable for each nation!