Curator of the Printer's Guild Museum

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Overview

The position was established by a motion of the Imperial Senate during the Spring Equinox 379YE.

There were some concerns from the constitutional scholars about the way the sinecure involved was presented, which were resolved in the Senate during the Autumn Equinox 379YE.

Responsibilities

The Curator of the Printer's Guild Museum is responsible for ensuring the maintaining the museum itself, and acquiring new exhibits.

Powers

The Curator is an Imperial title in the Synod. It grants custodianship of a sinecure.

Point of Pilgrimage

The Curator receives 6 liao and 12 votes in the Imperial Synod. These votes can be used in any and all appropriate assemblies.

Selection

The Cardinal of Prosperity appoints the Curator of the Printer's Guild Museum. This is an Imperial title, and may be held by any Imperial citizen.

Removal

As with most sinecures, the assumption is that they hold the position until they die, step down or are revoked. However, as an appointment by the Cardinal it is possible the intent is that this sinecure can be re-appointed when a new Cardinal is appointed. CHECK THIS

The Custodian can be revoked by a simple majority of the General Assembly, or the Prosperity virtue assembly.

History

The museum was constructed to provide a suitable venue to display the extensive collection of unique and historical artifacts gathered by the Printe'r Guild- a League guild that provides printing serves throughout the Empire and publishes the Pledge newspaper.

While construction on the museum was soon completed, there were some concerns from the constitutional scholars about the details of the associated sinecure, which would be resolved during the Autumn Equinox 379YE summit.

The Printer's Guild Museum of Wonders

Situated just off the western bank of the river Vassa, in the League city of Tassato Mestra, the home of the Printers Guild Museum of Wonders is an impressive building.

Hoardings covers the walls of surrounding streets, advertising the wondrous items of mystery to be found within the confines of this fabulous establishment. Street hawkers connive and convince to drive the crowds forwards. Resplendent dramaturgists in fanciful costumes of the foreign realms beckon the credulous public towards the entrance. Knifing through the crowds are bravos and sell-swords, keeping the peace with a light touch and stern gaze, allowing the adventurous souls from calm Regario to make their way to the Museum with a thrill of wonder, but none of Mestra's usual menace.

Fine white granite columns dominate the fascia of the Museum, with a grand staircase leading to the main entrance. In the hallway are inscriptions proclaiming the generosity of the Printers Guild, with busts of Silvio de Tassato, the main benefactor, and Jonah Yakovitch, the Prince of the Guild, staring down on the heaving masses.

There are five main collections, catalogued by Gancius of the Carta Notturno. Objects of Historical Significance, Relics of the Precursor Nations, Treasures of the Eternal Realms, Curios from Foreign Lands and the Catalogue of Natural Wonders. Each is housed within its own area of the Museum, with its own experts and archivists tirelessly working to Gancius' scheme. The collections rotate on a frequent basis, to drive attendance, constantly staying fresh and new. One month a display of the secrets of the Night Eternals, the next a history of trade with the Commonwealth, then a display of the pilgrims of the Way. Each exhibition comes replete with new and exciting artefacts, unique events and fresh dramaturgical performances on the streets outside.

As the days draw to an end, the public exhibits close and private tours commence for the wealthy patrons of the Museum. This is a chance to get close to the wondrous items, to hold some of the less fragile and to connect with the history of the Empire.

A constant stream of scholars from other nations travel to the musuem. Away from the hustle and bustle of the main galleries, these learned souls reverentially research and cross reference, sharing their own knowledge with the curators, such that the truth of history can be discovered.

Coin flows through this endeavour at a prodigious rate. Tickets are brought, keepsakes and souvenirs sold to one and all. Food and drink for the weary traveller, all bring Throne after Throne through the door. Generous donations from patrons, rings thrown to street performers, all go into the upkeep of this fine institution. Just as quickly, the money is spent. As a prosperous endeavour it is not in the business of being a business, there is no long term profit sought, nor investors to placate. Acquisition of artefacts and relics, the employ of performers, guards and researchers, and the maintenance of the buildings and surrounding streets.