Curator of the Printers' Guild Museum
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==Overview== | ==Overview== | ||
The position was [[ | <div style="float: right; width: 250px;">{{CaptionedImage|file=Assembly Prosperity.png|caption=This title is appointed by the [[Assembly#The_Virtue_Assemblies|Assembly of Prosperity]]|width=250px}}</div> | ||
The position was [[Construct_Printers'_Guild_Museum_of_Wonders|established]] by a motion of the [[Senate]] during the Spring Equinox 379YE. At the time, there were some concerns from the [[Scrutiny#Constitutional_Court|Constitutional Court]] about the way the [[sinecure]] involved was presented, which were resolved in the Senate during the Autumn Equinox 379YE. | |||
The museum itself was constructed to provide a suitable venue to display the extensive collection of unique and historical relics gathered by the Printers' Guild- a [[the League|League]] [[guild]] that provides printing services throughout the Empire and publishes the popular Pledge newspaper. | |||
During the Spring Equinox 388YE, '''Taddea Ginori''', as [[Chair of the Wolf]], announced the [[Construct Grand Guildhouse of the Printers' Guild|construction]] of the [[Tassato#Torch_of_Truth|Grand Guild of the Printers' Guild]], informally known as the ''Torch of Truth'', in Tassato Mestra. The guildhouse has encouraged more visitors to the museum, changing its [[#Profits from the Museum|income]]. | |||
==Responsibilities== | ==Responsibilities== | ||
The Curator of the | The Curator of the Printers' Guild Museum is responsible for maintaining the museum itself, and for acquiring new exhibits. If anything were to threaten the good operation of the museum, it would be the responsibility of the Curator to address those problems. | ||
__NOTOC__ | |||
==Powers== | ==Powers== | ||
===Profits from the Museum=== | |||
The Printers' Guild Museum draws Prosperous pilgrims from across the League and beyond. Visitors often pay reasonable sums to attend lectures on the pieces in the museum, or purchase well-written pamphlets to take away with them. The Curator of the Printers' Guild Museum receives 20 crowns each season from these sales. | |||
The | |||
The | |||
The | ==Appointment== | ||
The Curator of the Printers' Guild Museum is a [[New_Imperial_titles#The_Imperial_Synod|virtue position]] which is [[Appointment|appointed]] by [[judgement]] of the [[Assembly#The_Virtue_Assemblies|Prosperity Assembly]] each year during the Winter Solstice. | |||
The title can be held by any Imperial citizen. They can be [[revocation|revoked]] by the [[Assembly#General_Assembly|General Assembly]], the Prosperity Virtue Assembly, and by the [[Assembly#Assembly_of_the_Nine|Assembly of the Nine]]. | |||
The | {{CaptionedImage|file=Fabio1201.jpg|align=left|caption=Fabio Costas de Sarvos, Curator of the Printers' Guild Museum|width=275}} | ||
{{RecentElections|Curator_of_the_Printers%27_Guild_Museum}} | |||
==The Printers' Guild Museum== | |||
Situated just off the western bank of the river Vassa, in the League city of [[Tassato#Tassato Mestra|Tassato Mestra]], the home of the Printers Guild Museum of Wonders is an impressive building. | Situated just off the western bank of the river Vassa, in the League city of [[Tassato#Tassato Mestra|Tassato Mestra]], the home of the Printers' Guild Museum of Wonders is an impressive building. | ||
Hoardings covers the walls of surrounding streets, advertising the wondrous items of mystery to be found within the confines of this fabulous establishment. Street hawkers connive and convince to drive the crowds forwards. Resplendent [[dramaturgy|dramaturgists]] in fanciful costumes of the foreign realms beckon the credulous public towards the entrance. Knifing through the crowds are [[bravo|bravos]] and sell-swords, keeping the peace with a light touch and stern gaze, allowing the adventurous souls from calm [[Tassato#Tassato Regario|Regario]] to make their way to the Museum with a thrill of wonder, but none of Mestra's usual menace. | Hoardings covers the walls of surrounding streets, advertising the wondrous items of mystery to be found within the confines of this fabulous establishment. Street hawkers connive and convince to drive the crowds forwards. Resplendent [[dramaturgy|dramaturgists]] in fanciful costumes of the foreign realms beckon the credulous public towards the entrance. Knifing through the crowds are [[bravo|bravos]] and sell-swords, keeping the peace with a light touch and stern gaze, allowing the adventurous souls from calm [[Tassato#Tassato Regario|Regario]] to make their way to the Museum with a thrill of wonder, but none of Mestra's usual menace. | ||
Fine white granite columns dominate the fascia of the Museum, with a grand staircase leading to the main entrance. In the hallway are inscriptions proclaiming the generosity of the Printers Guild, with busts of Silvio de Tassato, the main benefactor, and Jonah Yakovitch, the [[ | Fine white granite columns dominate the fascia of the Museum, with a grand staircase leading to the main entrance. In the hallway are inscriptions proclaiming the generosity of the Printers' Guild, with busts of Silvio de Tassato, the main benefactor, and Jonah Yakovitch, the [[The_League_leadership|Prince]] of the Guild, staring down on the heaving masses. | ||
There are five main collections, catalogued by Gancius of the Carta Notturno. Objects of Historical Significance, Relics of the Precursor Nations, Treasures of the Eternal Realms, Curios from Foreign Lands and the Catalogue of Natural Wonders. Each is housed within its own area of the Museum, with its own experts and archivists tirelessly working to Gancius' scheme. The collections rotate on a frequent basis, to drive attendance, constantly staying fresh and new. One month a display of the secrets of the Night [[Eternal|eternals]], the next a history of trade with the [[Commonwealth]], then a display of the pilgrims of the Way. Each exhibition comes replete with new and exciting artefacts, unique events and fresh dramaturgical performances on the streets outside. | |||
As the days draw to an end, the public exhibits close and private tours and bespoke lectures commence for the wealthy patrons of the Museum. This is a chance to get close to the wondrous items, to hold some of the less fragile and to connect with the history of the Empire. | |||
A constant stream of scholars from other nations travels to the museum. Away from the hustle and bustle of the main galleries, these learned souls reverentially research and cross-reference, sharing their own knowledge with the curators, such that the truth of history can be discovered. | |||
Coin flows through this endeavour at a prodigious rate. Tickets are brought, keepsakes and souvenirs sold to one and all. Food and drink for the weary traveller, all bring throne after throne through the door. Generous donations from patrons, rings thrown to street performers, all go into the upkeep of this fine institution. | |||
[[Category: | Just as quickly, the money is spent. As a prosperous enterprise, it is not really in the business of being a business; there is no long-term profit sought, nor investors to placate. Acquisition of artefacts and relics, the employ of performers, guards and researchers, and the maintenance of the buildings and surrounding streets. | ||
[[Category: | [[Category:Title]][[Category:Prosperity]] | ||
Latest revision as of 20:45, 8 July 2026
Overview
The position was established by a motion of the Senate during the Spring Equinox 379YE. At the time, there were some concerns from the Constitutional Court about the way the sinecure involved was presented, which were resolved in the Senate during the Autumn Equinox 379YE.
The museum itself was constructed to provide a suitable venue to display the extensive collection of unique and historical relics gathered by the Printers' Guild- a League guild that provides printing services throughout the Empire and publishes the popular Pledge newspaper.
During the Spring Equinox 388YE, Taddea Ginori, as Chair of the Wolf, announced the construction of the Grand Guild of the Printers' Guild, informally known as the Torch of Truth, in Tassato Mestra. The guildhouse has encouraged more visitors to the museum, changing its income.
Responsibilities
The Curator of the Printers' Guild Museum is responsible for maintaining the museum itself, and for acquiring new exhibits. If anything were to threaten the good operation of the museum, it would be the responsibility of the Curator to address those problems.
Powers
Profits from the Museum
The Printers' Guild Museum draws Prosperous pilgrims from across the League and beyond. Visitors often pay reasonable sums to attend lectures on the pieces in the museum, or purchase well-written pamphlets to take away with them. The Curator of the Printers' Guild Museum receives 20 crowns each season from these sales.
Appointment
The Curator of the Printers' Guild Museum is a virtue position which is appointed by judgement of the Prosperity Assembly each year during the Winter Solstice.
The title can be held by any Imperial citizen. They can be revoked by the General Assembly, the Prosperity Virtue Assembly, and by the Assembly of the Nine.
| Summit | Nation | Elected | Votes |
|---|---|---|---|
| Winter Solstice 387YE | The League | Fabio Costas d’Apulian | 106 Votes |
| Winter Solstice 386YE | The League | Fabio Costas d’Apulian | 130 Votes |
| Winter Solstice 385YE | The League | Fabio Costas d’Apulian | |
| Winter Solstice 384YE | The League | Fabio Costas d’Apulian | |
| Winter Solstice 383YE | The League | Fabio Costas d’Apulian | |
| Winter Solstice 382YE | The League | Fabio Costas de Sarvos | |
| Spring Equinox 380YE | The League | Taddea Ginori |
Recent Elections
This title is currently held by Fabio Costas d’Apulian; it will be reelected at Winter Solstice 388YE. The table to the right shows the citizens who have been elected to hold this title in the years since Empress Britta died.
The Printers' Guild Museum
Situated just off the western bank of the river Vassa, in the League city of Tassato Mestra, the home of the Printers' Guild Museum of Wonders is an impressive building.
Hoardings covers the walls of surrounding streets, advertising the wondrous items of mystery to be found within the confines of this fabulous establishment. Street hawkers connive and convince to drive the crowds forwards. Resplendent dramaturgists in fanciful costumes of the foreign realms beckon the credulous public towards the entrance. Knifing through the crowds are bravos and sell-swords, keeping the peace with a light touch and stern gaze, allowing the adventurous souls from calm Regario to make their way to the Museum with a thrill of wonder, but none of Mestra's usual menace.
Fine white granite columns dominate the fascia of the Museum, with a grand staircase leading to the main entrance. In the hallway are inscriptions proclaiming the generosity of the Printers' Guild, with busts of Silvio de Tassato, the main benefactor, and Jonah Yakovitch, the Prince of the Guild, staring down on the heaving masses.
There are five main collections, catalogued by Gancius of the Carta Notturno. Objects of Historical Significance, Relics of the Precursor Nations, Treasures of the Eternal Realms, Curios from Foreign Lands and the Catalogue of Natural Wonders. Each is housed within its own area of the Museum, with its own experts and archivists tirelessly working to Gancius' scheme. The collections rotate on a frequent basis, to drive attendance, constantly staying fresh and new. One month a display of the secrets of the Night eternals, the next a history of trade with the Commonwealth, then a display of the pilgrims of the Way. Each exhibition comes replete with new and exciting artefacts, unique events and fresh dramaturgical performances on the streets outside.
As the days draw to an end, the public exhibits close and private tours and bespoke lectures commence for the wealthy patrons of the Museum. This is a chance to get close to the wondrous items, to hold some of the less fragile and to connect with the history of the Empire.
A constant stream of scholars from other nations travels to the museum. Away from the hustle and bustle of the main galleries, these learned souls reverentially research and cross-reference, sharing their own knowledge with the curators, such that the truth of history can be discovered.
Coin flows through this endeavour at a prodigious rate. Tickets are brought, keepsakes and souvenirs sold to one and all. Food and drink for the weary traveller, all bring throne after throne through the door. Generous donations from patrons, rings thrown to street performers, all go into the upkeep of this fine institution.
Just as quickly, the money is spent. As a prosperous enterprise, it is not really in the business of being a business; there is no long-term profit sought, nor investors to placate. Acquisition of artefacts and relics, the employ of performers, guards and researchers, and the maintenance of the buildings and surrounding streets.